When it comes to writing about family, in memoir or fiction, writers must consider the ramifications. To write honestly, writers must know what’s at stake, and be ready. This week’s guest, Rebecca Carroll, shares with Write-minded her own experience with family fallout, and subjects ranging from her readership, to her literary heroine Toni Morrison, to her thoughts on trans-racial adoption. There’s a lot to unpack this week, from a guest who sets the gold standard for radical honesty on the page.

If you’ve been taught never to talk about money, or if the idea of sharing your earnings publicly makes you uncomfortable, this is a must-listen episode because we’re pulling back the curtain on author earnings and disclosing dollar amounts. Guest Rachael Herron walks us through why she started talking about how much she makes as an author—and tells how much she earned last year and from what streams of income. Grant and Brooke jump on the bandwagon, too, and share expenses (Brooke) and earnings (Grant). This week’s show shines a light on money—and encourages authors everywhere to be more transparent, and especially never to apologize about talking about money.

This episode honors a pioneer of a genre with guest Donna Hill, who pioneered a genre and hasn’t looked back. With more than 100 published books to her credit, Hill is a force. This episode covers the stamina it takes to publish so prolifically, a bit of history about...

This week’s episode features a bright new star in the literary universe, Jinwoo Chong, whose debut novel, Flux, was also his masters’ thesis. Brooke and Grant loved the book—and the subject of conversation in this week’s show is wide-ranging: what does it mean to execute an ambitious project? How does future dystopia meet ’80s nostalgia make for a great book? And what are our favorite time travel books? Tune in for an ambitious interview that covers lots of ground, necessarily so given the author who set its baseline.

This week Write-minded rings in National Poetry Month with guest Heather Bourbeau in a conversation about poetry, working with themes, and collaborations. Grant shares what he’s planning to do this month to celebrate National Poetry Month, and this episode invites you to think about how poetry informs your writing, and ways to invite it in.

Longing is a subject, topic, theme, and obsession of countless stories that have shaped our literary landscape. Grant and Brooke take a good hard look at longing this week and hold it up against its companion emotion, desire, and consider some of the most enduring narratives of longing we know. Guest Madelaine Lucas shares her take on the prism of longing that shines through her debut novel, Thirst for Salt, and opens up this conversation for all of us to consider how the ache of longing may inform our stories and our characters.

Peggy Orenstein joins Brooke and Grant this week to talk about a number of ideas at the center of her newest memoir, Unraveling. We cover sheep shearing, the fast fashion industry, the crafts(wo)manship that came out of Covid, and taking the time to learn new things. This episode covers how books are often an adventure, and how writing leads to exploration and discovery. And we just happen to have a guest who’s a master at this style of storytelling, so listeners are in for a treat!

Building tension in stories is part of writing good fiction writing, but that doesn’t mean it’s easy to do—and it also requires writers to be conscious of the tensions they’re trying to mine. In this week’s show, tension is at the forefront, as Brooke and Grant explore with storytelling master Gish Jen how she thinks about tension, what life experiences she brings to her fiction as a member of the Chinese diaspora and daughter of immigrants, and so much more. We’re talking about short stories and celebrating Jen’s latest collection, Thank you, Mr. Nixon, and thinking more broadly about the way tension raises the stakes when it comes to good story.

If you write fiction, you already know you’re the master of the world you create on the page. That comes with great responsibility, but it also can mean reclaiming the narrative and elevating the stories that didn’t get to be told. It’s often said that history is written by the victors, but in modern times, history is often revisited, increasingly so in fiction, to include the voices of those left for too long in the shadows. This week’s show explores all this and more with guest Cheryl A. Head, who’s written a new novel, Time’s Undoing, that explores what happened to her grandfather, who was killed in 1929 by Birmingham police, and the ripple effect that had on future generations. Nearly 100 years later, Cheryl unearths this story through a fictional lens.